Art history collection
The core and base of the art history collection are the older art works (paintings, statues, handicrafts). So the major part of this collection is from Sadnikar’s Collection. Amongst them are some well-known and already mentioned works of art, significant for learning about Slovenian and European arts, amongst the others the Gothic relief “Stigmatisation of St. Francis”, Renaissance statues ‘Guardians of the Holy Sepulchre’ from the 16th century, or the painting “Jesus preaching to his parents” from the 17th century. New objects have been acquired from private collections and other sources by being donated or purchased, thus the collection from the older artistic periods is expanded and complemented by the works of art of origin or provenance of the Kamnik region.
Curator: Saša Bučan, historian of art, museum counsellor, email@example.com
In the 1850s, Hermann was especially interesting on Dutch and north German landscape, with old towns in different weather conditions. The painting was created in 1852, at a time when Hermann was painting in the Netherlands and was inspired by the Dutch and North-German landscapes of the 17th century.
In the picture is a full-length depicted girl. The girl is sitting on the grass, a brighter, blue sky opens above her. She is dressed in a green dress with a narrow paw and a wide skirt, underneath the white lace lower skirt, and in a white transparent blouse with short sleeves and a wide cut. She had white socks with a red tape and narrow black shoes, reaching to the ankles.
In front of a darker background, a man, depicted to the waist and slightly turned to the right, stares at us happily. The face, part of the neck with the unbuttoned shirt and the left hand resting in the foreground stand out from the darker background.
One such example is Bergant’s work Mary with a Child (c. 1760), which is kept in the Intermunicipal Museum in Kamnik. Bergant’s painting is thus characterized by a duality between elegant mastery and popular naivety, which still divides researchers today, and therefore opinions about the painter differ.
In the middle of the picture are Jesus on the cross and Mary Magdalene kneeling beside him, who hugs him and kisses his feet. Mary on the left with elegantly wavy clothes and posture pathetically expresses feelings of sadness, on the right St. John, stoically calm, wipes away the tears with a tablecloth.
The votive image was created at a time when in Komenda the worship of St. Urban already greatly expanded. In 1752, the parish priest of Komenda, deserving cultural worker and educator Peter Pavel Glavar (1721-1784) acquired in Rome the relics of St. Urban martyrs .