Collection of contemporary art
This collection lives in the Miha Maleš Gallery and keeps the art works, documentation, bibliophile editions of 20th century artists. The most recognisable, and also for the Slovene history of art, the most valuable collections of Slovene artists Miha Maleš and Jakob Savinšek are in this collection.
There are also the works of Kamnik artists and artists connected to Kamnik, for instance Ivan Vavpotič (1877–1943), Dušan Lipovec (1952–2005), Alojz Berlec (1949), Lojze Perko (1909–1980) in Tomaž Perko (1947), Polde Mihelič (1923–2007), Aladin Lanc (1917–1990), Leon Homar (1914–1986), Stane Cuderman (1895–1946), Maks Koželj (1883–1956), Anton Koželj (1874–1954), Ferdo Mayer (1927–1994), Karel Zelenko (1925), Sonja Rauter–Zelenko (1918–2010) and others. The collection is constantly supplemented with donations and purchases.
Curator of the collection: Saša Bučan, art historian, curator
The collection was founded in the year 1979, when Kamnik citizen, Miha Maleš, donated 2634 of his works as a gift to his town. Besides publications, the donation comprises 2591 works of art from all periods of his work, and a rich archive of documents, correspondence, photos and personal belongings of the artist. The donation is being complemented by re-purchases and received gifts.
Slovene actress and poetess Mila Kačič (1912–2000), Jakob Savinšek’s life companion, has defined by her will the Inter-minicipal Museum Kamnik as inheritor of 14 Jakob Savinšek statues. This donation was exhibited for the first time in the exhibition premises of the Miha Maleš Gallery in 2002. The collection is being supplemented with re-purchases and received gifts.
Vavpotič often dealt with his image. Many self-portraits are preserved, but in the photograph, we see one of the last paintings painted by the artist in the later period. For Vavpotič a characteristic realistic portrait speaks of the artist's external appearance, but at the same time, through his eyes, we also perceive a person, his inner feelings, which he shows as a somewhat concerned, perhaps even bitten, unfulfilled man.
Maleš put a love couple in the embrace in the central axis of the picture. The low-ranking scene is a meadow that is sputtered, with schematic rosaries, and the horizons are also closed by schematically drawn mountains. The representation of the horizon is indicated by the whiteness of the sheet, with a shade of blue on one side and the yellow sun on the other, which associates well with the depiction of the volatile and changing sky in May.
The work Pregnant dated in the year 1949 and shows the female figure with a small oval head and a broadly rounded body. On the tense abdomen, the resting hands indicate the state of expectation of the depicted woman. In this statue Savinšek abandoned all the details that would hinder the understanding and vision of the body, its volume.
Beginning in 1934, Maleš’s famous series of Tivoli, the landscapes of our formerly beautiful park in Ljubljana in various seasons, are beginning to emerge. From a still ordinary motive, Maleš could extract the mood of nature. In front of us, there are trees, barely visible in a snowstorm, set on the bank, snow-covered walking paths, a solitary walker. In addition to the colour values that Tivoli motives bring to the development of Slovenian landscaping, it is necessary to emphasize the compositional balance and even the sense of the melody of the depicted trees and people.
In 1937 the first book with Miha Maleš' illustration of the Prešeren Wreath of Sonnets was published. The introductory text was written by Rajko Ložar. It is about thirty celestial illustrations - black and white linoleums,